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By JACQUES CHAGALL MARC; LASSAIGNE

Chagall Unpublished Drawings.

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Extra info for Chagall Unpublished Drawings

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And becomes and vibrancy. in other Lissitzkyforexample,followedsuit. Writing of this period, the Russian critic Efross rightly pointed out that Chagall 44 these artists. who introduced this technique of stippled it was drawing. Man with a Dog. 1914-1915. Ink. 45 During his stay in able to do some to projects. condi- in deal. Occasionally he was large-scale paintings, but most of the time his resources in he had Russia (1914-1922) he worked which varied a good tions canvas and colors were so meager that be satisfied with drawing or sketching out his These works, though necessarily on a small scale, are nevertheless fully developed.

1922. Lithographic Crayon. Chagall 20 L Man with a Bird. 1922. Lithographic Crayon. 53 54 Head of an Old Man, 1922. Lithographic Crayon and Wash. Man with a Goat. 1922. Lithographic Crayon. 55 "This drawing appears to be one of the after his return to Paris in 1923. gogue of Vitebsk with its It first Chagall shows the made old syna- massive and chaotic architecture, windows along the women's staircase, the rainpipe at the edge of the roof, its various openings of different sizes. As a child Chagall was hypnotized by this building, to which he went so often with his father; it still dominates his memories, its formless mass hardly seems to be that of Si house at all, for it is represented here its in stained-glass mid-winter, covered with snow, in which nimble children, not so very different from those of Bruegel, are playing the yard.

1922. Lithographic Crayon. 55 "This drawing appears to be one of the after his return to Paris in 1923. gogue of Vitebsk with its It first Chagall shows the made old syna- massive and chaotic architecture, windows along the women's staircase, the rainpipe at the edge of the roof, its various openings of different sizes. As a child Chagall was hypnotized by this building, to which he went so often with his father; it still dominates his memories, its formless mass hardly seems to be that of Si house at all, for it is represented here its in stained-glass mid-winter, covered with snow, in which nimble children, not so very different from those of Bruegel, are playing the yard.

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